Event Date: 11/21/2017   Event Time: All Day

Description:
All Ages

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101 Biltmore Avenue , Asheville, NC 28801
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Event Date: 11/21/2017   Event Time: 6:00 PM

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Solo show. Enjoy the beauty of Biltmore park w/ half off bottled wine every Monday and Tuesday at 131 Main. Great atmosphere, great live music. Join me!

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308 Thetford St , Asheville, NC 28803
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Event Date: 11/21/2017   Event Time: 7:00 PM

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Russ Wilson sings with The John Henrys Jazz Band every Tuesday night at 5 Walnut Winebar. No cover. Jazz, Swing and Standards.

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5 Walnut St. , Asheville, NC 28801
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Event Date: 11/21/2017   Event Time: 7:00 PM - 11:30 PM

Description:
An early Open Mic every Tuesday. A great night to sit back have some dinner and free entertainment. This is where Asheville talent get's their start. $2.50 Special on all house brewed beers.

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1042 Haywood Ave , Asheville, NC 28806
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Event Date: 11/21/2017   Event Time: 8:00 PM

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45 South French Broad Ave. , Asheville, NC 28806
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Event Date: 11/21/2017   Event Time: 8:00 PM

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The John Henrys performing lively jazz every Tuesday for free!

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5 Walnut St. , Asheville, NC 28801
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Event Date: 11/21/2017   Event Time: 10:00 PM

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10pm21+ FREE One Stop Join us downstairs during Funk Jam for an all-star local cast of rotating DJ's spinnin' vinyl and scratchin' like there's no tomorrow!

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55 College Street , Asheville, NC 28801
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Event Date: 11/21/2017   Event Time: 11:00 PM

Description:
Every Tuesday at Asheville Music Hall. This weekly jam is an amazing opportunity for musicians to network while refining their musical chops, and for the people who support our scene to shake their hips to the best funk around!

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31 Patton Avenue , Asheville, NC 28801
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Event Date: 11/22/2017   Event Time: All Day

Description:
All Ages

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101 Biltmore Avenue , Asheville, NC 28801
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Event Date: 11/22/2017   Event Time: 6:30 PM

Description:
Russ Wilson sings with 3 Cool Cats at the Cork and Keg every Wednesday night. Vintage Rock and Roll. No cover

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86 Patton Avenue , Asheville, NC 28801
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Event Date: 11/22/2017   Event Time: 7:00 PM

Description:
$10 5PM Door :: 7:00PM Show General Admission Seated Lounge Show :: Limited Tables Available with Dinner Reservation otherwise seating is first come first serve. Only 50 tickets will be sold to this concert. (Call 828-575-2737 for dinner reservations)

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743 Haywood Rd , Asheville, NC 28806
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Event Date: 11/22/2017   Event Time: 8:00 PM

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10 Patton Avenue , Asheville, NC 28801
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Event Date: 11/22/2017   Event Time: 8:00 PM

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743 Haywood Rd , Asheville, NC 28806
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Event Date: 11/22/2017   Event Time: 8:00 PM

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Les Amis performs high energy African folk music and world music for free every Wednesday!

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5 Walnut St. , Asheville, NC 28801
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Event Date: 11/22/2017   Event Time: 10:30 PM

Description:
Exploring the world of Ableton and live instrumentation w/ Derrick, Phill, and Ben

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55 College Street , Asheville, NC 28801
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Event Date: 11/23/2017   Event Time: 8:00 PM

Description:
Pleasure Chest performs blues, rock n' roll, and soul every Thursday for free!

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5 Walnut St. , Asheville, NC 28801
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Event Date: 11/24/2017   Event Time: All Day

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185 Clingman Ave , Asheville, NC 28801
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Event Date: 11/24/2017   Event Time: 5:00 PM

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FREE DEAD FRIDAYS @ The One Stop- feat. members of Phuncle Sam acousticJoin us at The One Stop at Asheville Music Hall every Friday at 5PM for our FREE Acoustic Grateful Dead series Featuring members of Phuncle Sam and great drink and food specials.

Contact Info:
55 College Street , Asheville, NC 28801
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Event Date: 11/24/2017   Event Time: 8:00 PM

Description:
WHEN:  Friday November 24, 2017DOORS: 7pm  |  SHOW: 8pmGENRE:  americana / country / bluegrassAGES:  all agesSEATING:  seated general admissionTICKETS:  $17 adv. / $20 d.o.s. / $25 VIP (guaranteed seating in 1st three rows!)FACEBOOK EVENTWEB LISTING Elizabeth Cook: WEBSITEHEAR SOME MUSICSEE A VIDEO Elizabeth Cook didn’t quite know what she was doing. But she knew there were songs, and they had to get out. Six even years since her critically acclaimed Welder, as well as much personal tumult, there were songs that needed to be born. “If anything, (Exodus) is a pledge of allegiance for the bad girls and the Homecoming Queens who got caught in a scandal. It’s a bill of rights, and a testimony for those good girls who got away with more than they should have.  “I’m slow, and getting slower,” laughs the lanky blond, unapologetically. “I’m taking my time, really drilling down. There were nine versions of ‘Methadone Blues.’ I’ve never done that before. I love that entrenchment and dedication – and I wasn’t going to do any less than what needed to be done.” From Dexter Green’s (also the album’s producer) opening electric guitar, equal parts foreboding and fraught, “Exodus of Venus” hurls a churlish witness to erotic upheaval and the drives that subsume our best notions.  “Exodus” is an exhortation of sexual surrender that pushes past the brink of reason.  For fans of the Florida-born’n’raised Cook, a Grand Ole Opry regular, SiriusXM Outlaw Country hostess and David Letterman favorite, Exodus of Venus will be something of a shock. If she maintains the tang of her drawl, what emerges – beyond Cook’s always vibrant and vivid sense of detail – is a song cycle soaked in turpentine, musk and honey. From the sweltering tumble of B-3 on the funky, shuffling “Methadone Blues” to the elegiac dignity of “Tabitha Tuder’s Mama” and the Velvet Underground on fire bristle of “Brokedown in London on the M25,” Cook’s shouldering a deeper passion for the state of living today – and the crashing into the wall reality we all go through. If in the past Cook relied on wit and a certain dogpatch charm, Venus commands a raw knuckled truth that’s even more searing.  “There hasn’t been a lot to laugh about,” confesses the effervescent songwriter who once penned “It Takes Balls To Be A Woman” with equal parts Dolly Parton pluck and Loretta Lynn brio. “Things have been heavy and dark, and I feel really different. I aspire to be more than clever or dark or poignant, but to be honest. I want that to supersede everything.  “Emotionally, mentally, physically – it’s all been tested,” she continues, “and it set me up straight. It was hard, but it’s a good thing. Really hard lessons in resilience… All of it is in the record.” That resilience rises like steam from the narcotic “Dyin’,” as Cook professes her by any means necessary strength, “Gonna be a diamond, gonna make hay/ If you don’t like it, gonna do it anyway/ Gonna put on the  pistols, gonna cause a scene/ Gonna goddamn save the queen…” Flowing from there to the attenuated starkly haunted “Evacuation,” a slow build of defiance that eschews the easy for holding onto one’s roots – and casting a parallel with New Orleans’ own spirit that mines a deep desire to live, die and celebrate where one’s essence lies.  “During the years when family was dying and houses were burning down and I was in divorce court and David Letterman was calling and doing shows with Anthony Bourdain, the whiplash was almost too much,” Cook admits. “To keep up with all this great stuff, while I’d been sheltered for such a long time from tragedy, it transforms you. It really does.”  Cook emerged a tougher, wiser woman. If her years as a rough stock Minnie Pearl, part comedienne, part chronicler of life beyond the urban hipeoisie, had cast her first glass of champagne ebullience as a sparkling presence of hillbilly authenticity, Exodus of Venus suggests a woman tapping into the force of her true power. Frank, stumbling, angry, exhausted, triumphant, she owns the ragged edges, the torn seams and worn thin places. Joined by hard country soul singer Patty Loveless on “Straight Jacket Love,” she catcalls a frantic surrender, “On and off the wagon/Lighting fire to grease/Knives are made for stabbing/Arms are made for peace…” as the CMA Female Vocalist maintains perfect mountain harmony. “I blind emailed her management, fingers crossed – because I heard her voice all over this record – then sent her two or three songs, saying, ‘This is my record. If you hear anything…’  “She honed right in on ‘Straight Jacket Love.’ Maybe it felt like some real dark Appalachian kind of thing. She has such authentic texture and power when she sings. She shows me what I’m trying to do…” Not that Cook needs any teaching. A kid singer in her late-in-life parents’ country music aspirations, she learned bar life early – and getting by with a pretty smile and a good line. Her mother – diagnosed with uterine cancer at 42 while pregnant with Elizabeth – and “raging alcoholic Daddy” had big plans. “I’m the miracle child sent to heal my father, and I was bewildered by that. I was a princess, but the king was a monster. And if things weren’t okay, I was failing.”  After years of getting by on charm, with dysfunction part of the family’s functionality, it all came apart in Cook’s hands. But in the wreckage of death and divorce, Cook found liberation and emancipation. “I’m not trying to be the good girl anymore, and that brought some joy to all of it. I almost care more – or different,” she explains. “These songs are more poignant. They’re honest, and all about compassion or grace. For myself, and from a place of experience. Not that any of it was wrong, but I look back and have pride for all that happened and what I’ve survived.” On “Cutting Diamonds,” Cook tosses the declaration “She has no line on polished pearls/Those are for the proper girls…” like confetti. Then on the kick’n’snare’n’piano roll underscored “Orange Blossom Trail,” she kicks up a bit of savory dust, with the celebratory toast, “Players talk while Thieves set sail/It’s the fragrant air of the underbelly/ On the Orange Blossom Trail…” “Living on the shady side, there’s a comfort level I have in that kind of environment,” Cook offers. “That’s where the reckless or the brave both say, ‘Yeah, why not?’ I’m doing what I’m supposed to do – (for me, writing these songs) is a necessity. It’s the only power, the only tool, the only weapon I have. “Listen! We’re going from Little Feat to REM, then put Appalachian harmonies on it. It’s all funky grooves with dark guitars, burning guitars. People were tweeting me, ‘Are you keeping it country?’ And the truth is: No, I’m keeping it real. Not to a genre, but to what these songs are. “It’s an imperfect balancing act: a lesson in compassion and grace and tolerance. You know, all these songs are either requiring it or exhibiting it.” Cook laughs as she says this, knowing full well it’s in banging into the furniture and stumbling down the halls that one learns to walk through the dark. “Get out there and make mistakes – and don’t apologize! I’m not ashamed. This happened – and I’ll tell you all about it.”

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18 CHURCH STREET , Asheville, NC 28801
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Event Date: 11/24/2017   Event Time: 8:00 PM

Description:
Duo show. Located in the heart of downtown Asheville, Mela Indian Restaurant offers authentic North and South Indian dishes as diverse and vibrant as the peoples and regions of India. Live music begins at 8pm!

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70 North Lexington Avenue , Asheville, NC 28801
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Event Date: 11/24/2017   Event Time: 8:00 PM

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501 Merrimon Avenue , Asheville, NC 28804
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Event Date: 11/24/2017   Event Time: 9:00 PM

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Our monthly appearance at The Social.

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1078 Tunnel Road , Asheville, NC 28805
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Event Date: 11/25/2017   Event Time: All Day

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185 Clingman Ave , Asheville, NC 28801
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Event Date: 11/25/2017   Event Time: 3:00 PM

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195 Hilliard Avenue , Asheville, NC 28801
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Event Date: 11/25/2017   Event Time: 3:00 PM

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195 Hilliard Avenue , Asheville, NC 28801
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Event Date: 11/25/2017   Event Time: 3:00 PM

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195 Hilliard Avenue , Asheville, NC 28801
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Event Date: 11/25/2017   Event Time: 8:00 PM

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WHERE: The Altamont Theatre, 18 Church St., 28801WHEN: Saturday November 25, 2017DOORS: 7pm | SHOW: 8pmGENRE: Moody Blues tributeAGES: all agesTICKETS:  $12 adv. / $15 d.o.s. / $20 VIP (guaranteed seat in 1st two rows!)WEB LISTING The Lost Chord - Moody Blues Tribute Band:The Lost Chord is an Asheville-based Moody Blues tribute band that was formed in 2016. Their goal is to reproduce the classic, cosmic sound of the legendary band’s original studio recordings in a live setting. The focus of their repertoire is on the seven albums of the Moodies’ classic period, spanning from Days of Future Passed to Seventh Sojourn. They cover most of the well known hits as well as some of the more obscure gems from that era.The band features founding member, Garry Byrne, on keyboard sounds, which includes digital samples of Mike Pinder’s Mellotron, an instrument that was a major characteristic part of The Moody Blues’ sound. On lead vocals, backing vocals and electric bass is Sherman Hoover, who also performs with The Billy Jonas Band and has been playing at Jubilee services for many years.Todd Byington also sings lead vocals and backing vocals while strumming and picking the acoustic guitar. Doubling on acoustic guitar and backing vocals and rocking out on the lead guitar parts is Paul Quick of the local duo, QuickChester. James Wilson plays the drums on an electronic drum kit, which allows him to program sounds that match the original drummer’s palette. Kate Barber alternates between playing the flute and the tambourine and joins in on backing vocals.

Contact Info:
18 CHURCH STREET , Asheville, NC 28801
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Event Date: 11/25/2017   Event Time: 9:00 PM

Description:
18+ to Attend | $10 ADV / DOSOpener at 9pmHeadliner: Toubab Krewe TOUBAB KREWE Some music cannot be found on a map or within iTunes categories.  Some music is so original it seems snatched from the great, invisible substrata that runs below all human activity, a sound aching to be born without a flag or fixed allegiance – free, questing, overflowing with immediate, tangible life.  This is the music of Toubab Krewe, the vibrant Asheville, NC-based instrumental powerhouse that creates a sonic Pangaea that lustily swirls together rock, African traditions, jam sensibilities, international folk strains and more.  While nearly impossible to put into any box, it takes only a few moments to realize in a very palpable way that one is face-to-face with a true original who recognizes no borders in a march towards a muscular, original, globally switched-on sound.

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468 Riverside Drive , Asheville, NC 28801
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Event Date: 11/25/2017   Event Time: 9:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 11/25/2017   Event Time: 9:00 PM

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All Ages

On November 25th, the Orange Peel will play host to a raw display of “The Elements of Hip Hop.” Organized by Asheville’s own award winning hip hop group Free The Optimus (FTO), the show will demonstrate the core foundational elements of hip hop—DJing, breakdancing, MCing, and graffiti—while also spotlighting some of AVL’s finest DJs, rappers, dancers, and live performers.

Due to the highly competitive nature of hip hop, several segments of the night will feature battles—head to head match ups of artists competing to one up each other for both the crowd and their peers’ approval.

Fans can expect DJ battles from members of the Vinyl Time Travelers, Asheville locals that many will know from their weekly Turntable Tuesday series. The breakdancing battle portion of the night will feature Ashevillest, a collective of the illest b-boys in AVL who will fully demonstrate the physical manifestation of hip hop rhythm. The evening will also feature a rap battle between Asheville local SK, the Novelist and Greensboro MC Jewce as well as live graffiti from Charlotte based artist Ill Tac.

The night will finish with a performance from Free The Optimus along with JBOT to bring a live hip hop band finale to an already jam packed night to remember.

Attendees will be able to purchase lifestyle inspired workwear, made for outsiders by outsiders, from AVL’s own fresh new urban clothing line Epatage as well as new merchandise from FTO to go along with the release of several new projects from the crew.

Fans can check out FTO’s own take on the 4 Elements of Hip Hop in the video for “1234” below:

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101 Biltmore Avenue , Asheville, NC 28801
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Event Date: 11/25/2017   Event Time: 9:00 PM

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101 Biltmore Avenue , Asheville, NC 28801
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Event Date: 11/25/2017   Event Time: 10:00 PM

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Genre: Neo Soul/FunkCover: Donation$Show: 10PMAges: 21+RandomanimalsBrand new Asheville, NC project featuring:JC Mears (The Get Right Band)Tyler Mack (Supatight)Mikey Domanico (Supatight)Geoff Happel (Happel Pie)Matt Powers (Supatight)vid: https://youtu.be/xkgsgIbCBJY

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55 College Street , Asheville, NC 28801
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Event Date: 11/26/2017   Event Time: 9:00 PM

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Ages 18+

Scarface quickly became the South’s most admired rapper and remained so throughout the ’90s after breaking away from the Geto Boys to launch his solo career in 1991. Even if he never scored any national hits or stormed up the charts with any of his numerous albums throughout the ’90s, no one could question his clout throughout the South. He essentially defined what it meant to be a Southern thug rapper years before anyone even coined the term Dirty South. This became glaringly evident in the late ’90s when a massive wave of young MCs arose from Houston, New Orleans, and Memphis emulating his style of hard-boiled, ghetto-bred, straight-up hardcore rapping. Besides serving as the father of Southern thug rap, it seemed as if every hardcore rapper wanted to align himself with Scarface during the ’90s — everyone from Ice Cube and Dr. Dre to 2Pac and Master P collaborated with the former Geto Boy — all in an attempt to foster credibility among the loyal Southern rap audience. Yet despite his unquestionable influence, Scarface never crossed over to mainstream success. His albums were often plagued with filler, his lyrics were simply too harsh for radio, and his devotion to producer Mike Dean led to a stagnant, albeit trademark, sound. Still, likely because Scarface never crossed over and remained aligned to the streets, his influence never waned, making him one of the few veterans able to sustain in the here-today, gone-tomorrow rap game. In the early 2000s, Def Jam Records rewarded his staying power with a lucrative contract, a wealth of industry connections, and a powerful marketing push. Scarface consequently enjoyed the most successful album of his career, The Fix (2002), and a revival of interest in his back catalog, which his former label, Rap-A-Lot, repackaged that same year on Greatest Hits.

Before Brad Jordan (born November 9, 1970) became known as Scarface, he called himself Akshen. As such, he began his rap career first as a solo artist in his native Houston during the mid-’80s for James Smith’s then-fledging Rap-A-Lot label. Smith was trying to launch a group he tagged the Geto Boys, and he eventually asked Akshen to join the group in the late ’80s. The Geto Boys’ second album (and first to feature Scarface) — Grip It! On That Other Level (1990), later repackaged and re-released that same year simply as The Geto Boys — shocked many with its vivid depictions of violence and its overall extreme nature. This album featured the song “Scarface,” which introduced Akshen’s alter ego, a title he would keep from that point onward. The ensuing controversy surrounding the group’s debut put the Geto Boys on the map and set the stage for the impressive We Can’t Be Stopped (1991). In the wake of the group’s national success came solo albums, one of which being Scarface’s debut, Mr. Scarface Is Back (1991). The album made it evident who the group’s most talented member was, and the acclaim showered on Scarface resulted in bitter tensions among his fellow Geto Boys: Bushwick Bill and Willie D. By the time Scarface returned with his follow-up album, The World Is Yours (1993), his reputation overshadowed that of his group’s. Willie D consequently departed, and the Geto Boys never again rivaled We Can’t Be Stopped, releasing half-hearted, albeit popular, efforts with a new lineup before later reuniting in the late ’90s. In the meantime, Scarface continued to funnel his efforts into additional solo efforts: The Diary (1994) and Untouchable(1997). He then released the double-disc My Homies (1998), a bloated effort laden with guests, many of the South’s leading rappers.

It wasn’t until 2000, though, that Scarface won substantial admiration from the greater rap community with Last of a Dying Breed (2000), his most personal and focused album in years. As a result, he was awarded Lyricist of the Year at the 2001 Source Awards and was offered a promising deal with Def Jam Records. The powerhouse East Coast label wanted Scarface to helm its Def Jam South subsidiary division, and the rapper obliged, first signing Ludacris, who became an overnight superstar, and then releasing his own album, The Fix (2002). Led by a Kanye West-produced collaboration with Jay-Z, “Guess Who’s Back,” it spawned a popular single, “My Block,” and attracted widespread embrace. Rap-A-Lot furthered Scarface’s newfound coast-to-coast acceptance with the rapper’s first best-of collection, Greatest Hits (2002). In turn, he reunited with Willie D and Bushwick Bill and put together The Foundation (2005), another Geto Boys album. In 2006, he introduced his new crew, the Product, with the album One Hunid, and released a second volume of My Homies. Also landing in 2006 was 2 Face, a collection of tracks featuring Scarface and the late 2Pac. MADE proved that Scarface was still relevant in 2007; it debuted at number two on the R&B/Hip-Hop chart. In 2008 he retired his solo career with the good-bye album Emeritus. He came out of retirement in 2015 for Deeply Rooted, an album that debuted at number 11 on the Billboard 200 albums chart and featured guest appearances from Rick Ross, Z-Ro, John Legend, and Cee Lo Green.

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101 Biltmore Avenue , Asheville, NC 28801
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Event Date: 11/27/2017   Event Time: All Day

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101 Biltmore Avenue , Asheville, NC 28801
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Event Date: 11/28/2017   Event Time: All Day

Description:
All Ages

Like his mythological namesake, Daedelus is an inventor, a creator of sonic labyrinths combining sounds from an eclectic palette into an innovative genre all his own. Otherwise known as Alfred Darlington, the Los Angeles producer has over two-dozen releases on a variety of labels and collaborates with musicians in many worlds: electronic, jazz, hip-hop, etc. His music runs the gamut of emotion, alternately intense and mellow, exuberant and melancholy, danceable and introspective.

Daedelus has performed over a thousand shows for audiences on five continents, everywhere from Iceland to Istanbul. He is a founding father of the L.A. “Beat Scene,” often playing the storied Low End Theory club nights. Each live show is unique, employing Monome controllers and open-source software which allows for on-the-fly improvisation. The backdrop onstage is Daedelus’ collaborative invention Archimedes, a robotic array of moving mirrors which reacts to and reflects the performance. Daedelus most recently composed the soundtrack for the award-winning video game Nidhogg.

daedelusmusic.com

Chris Alfaro is Free the Robots. The genre-defying artist pulls together heavy doses of traditional jazz, psych, electronic and hip-hop, with progressive melodies and devastating drums into a rich pot of sound. His techniques create harmony between genres with the blending of obscure samples with analog and digital compositions.

freetherobots.org

In defying the laws of tradition, Los Angeles based music producer Mono/Poly has managed to outstrip the logics of multi-genre producing. Known for his distinct madness of face melting bass, paired with his dreamy astral soundscapes of glitch-based hip-hop, Mono/Poly has proved himself to be a natural phenomenon.

Mono/Poly appears on releases from Warp records and Planet Mu, featured alongside fellow artists Flying Lotus, Thundercat, Daedelus, and Nosaj Thing. His gravitational attraction to revolutionary sounds has gained vast recognition among listeners and artists as one of the hottest up-and-coming producers in the world. He started 2015 with a featured track on the new Grand Theft Auto 5, the release of Ne-Yo’s ‘Religious’, and ‘Skip Skip’ by Tha Dogg Pound & Snoop Dogg.

2017 has been a busy year for Mono/Poly with a recently released remix on Noisia’s newest album “Outer Edges: Remixes”, as well as working on Thundercat’s newest album “Drunk”, Kendrick Lamar’s latest “DAMN.” and releasing “Union EP” with london vocalist Alyss in July. He continues to perform his live sets across the globe having covered places such as Greece, Switzerland, France and Lithuania, in addition to his touring in the US.

soundcloud.com/theofficialmonopoly

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101 Biltmore Avenue , Asheville, NC 28801
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Event Date: 11/29/2017   Event Time: 7:00 PM

Description:
$10 / $10 5PM Door :: 7:00PM Show General Admission Seated Lounge Show :: Limited Tables Available with Dinner Reservation otherwise seating is first come first serve. Only 50 tickets will be sold to this concert. (Call 828-575-2737 for dinner reservations)

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743 Haywood Rd , Asheville, NC 28806
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Event Date: 11/29/2017   Event Time: 8:00 PM

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87 Haywood Road , Asheville, NC
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Event Date: 11/30/2017   Event Time: 7:30 PM

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WHERE: The Altamont Theatre, 18 Church St, 28801WHEN: Thursday, November 30, 2017DOORS: 7pm | SHOW: 7:30pm AGES: all agesSEATING: seated general admissionTICKETS: $10 adv. / $15 d.o.s. / $25 VIP (guaranteed seat in 1st 3 rows!)WEB LISTINGCary Cooper:WEBSITEHEAR SOME MUSICSEE A VIDEOWINNER Kerrville Folk Festival New Folk Competition ('04)2nd PLACE Rocky Mountain Folks Festival Songwriter Showcase ('12)3rd PLACE Telluride Troubadour Songwriting Competition ('12)FINALIST Falcon Ridge Folk Festival Emerging Artist Showcase ('12 & '04)FINALIST Sisters Folk Fest Dave Carter Memorial Songwriting Contest ('09, '10)Cary is a captivating performer, and award winning songwriter. In 2014, she left her native state of Texas for the mountains of Western North Carolina; and the influence of her adopted Appalachian roots can be heard in the songs of her latest recording, "Case Of The Hopefuls" set to release in late November, 2017. Cary’s songs are simple, and quirky in nature, drawing you in with pop melodies and then hitting you over the head with lyrics that are deceptively deep. Guitars in the Classroom calls Cary “the Anne LaMott of songwriting…except she can get to the heart of things in 3 minutes instead of 200 pages.” She is also a dynamic teacher. Since moving to Asheville, Cary has been the full time music teacher at The Franklin School of Innovation teaching chorus, the history of rock and roll and the art of songwriting to students from 5th grade through 12th. Cary spends her summers teaching songwriting to cream of the crop high school students at Interlochen Arts Academy in Michigan. Dick Siegel, Interlochen Program Director calls Cary "an outstanding educator. An accomplished songwriter and performer herself, Cary engages students with intelligence, warmth and humor quickly winning their affection and respect. In early 2011, Cary was spotted by the producers of Troubadour, TX, a new TV docu/drama series that debuted nationwide in September, 2011 on the CW network. Along with several other Texas songwriters, Cary was cast on the first season of the show. September 2012 saw Cary launch a Youtube channel called RealWomenReal Songs featuring herself and 13 of her favorite women writers who are committed to writing a song a week from a common prompt for an entire year. The collaborative features writers such as Amy Speace, Abbie Gardner (Red Moly), Raina Rose, Mira Stanley (The Sea The Sea) Nicolette Good and Carolann Solebello. This group (Season 2) now has 21 songwriters featuring Terri Hendrix, Tracy Grammer, Sara Hickman, Alice Peacock and Ellis among others. You can see their videos on Youtube and Facebook. "I love great musical surprises, and Troubadour,TX has allowed me to discover some really significant singer-songwriter surprises. And one of those is Cary Cooper. From the moment I met her, she was singing an original composition that was one of the most delightful surprises in my own personal journey of making music...The song was "Suzanne", and from that song on, Cary has continued to impress me not only with her original and unique lyrics, but with her enchanting, one-of-a-kind musical compositions that absolutely catch you by surprise, and then never leave you alone. A very special singer-songwriter with her best songs yet to come."Michael Blanton, President of Be Music and Entertainment, Nashville (Launched the careers of Amy Grant and Michael W. Smith)

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18 CHURCH STREET , Asheville, NC 28801
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Event Date: 11/30/2017   Event Time: 7:30 PM - 7:30 PM

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November 30, 2017, December 1, 2017, December 2, 2017 Celebrate the birth of our Savior! Enjoy a special evening of fellowship, a Christmas dinner, and the joyful music of inspiring singers.

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1 Porters Cove Rd , Asheville, NC 28805
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Event Date: 11/30/2017   Event Time: 8:00 PM

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Duo show. Join us at one of downtown Asheville's most iconic and historical restaurants. Local brew, great food, live tunes!

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20 S Spruce Street , Asheville, NC 28801
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Event Date: 11/30/2017   Event Time: 8:00 PM

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18+ to Attend | $10 ADV / $15 DOS CRAIG CAMPBELL Craig Campbell has never taken a backseat to anything. He’s certainly never taken a backseat in his career as one of Country’s brightest rising stars who launched onto the Country music scene in 2011 and continues to exist in a perfect sweet spot between tradition and modernity.  That doesn't mean the road to five consecutive charted hits and over a half million downloads has always been easy. There have been bumps along the way for the Georgia-born artist, on his path from the small town of Lyons to Nashville's Music Row. But through hits like "Keep Them Kisses Comin’," "Fish" and "Family Man," and countless shows, he's kept his eyes on his mission – to bring his fans true country music with a spin all his own, through timeless songs that tell his life story. And with his forthcoming debut project on RED BOW Records – flag-shipped by the earnest “Outskirts of Heaven,” which was co-written by Campbell – he is ready to share the next chapter: where that timelessness meets the here and now.  "There are a lot of sides to me that people haven’t yet seen," he says, currently at work on his third and most versatile record. "You can expect some great music with a little more energy, and a lot more fire."

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468 Riverside Drive , Asheville, NC 28801
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Event Date: 11/30/2017   Event Time: 9:00 PM

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Alien Music Club is essentially an on-going studio project conceived and produced by Jonathan Pearlman (JP) of Asheville, NC.JP grew up hearing light jazz and pop music. His first musical icons were Elvis Presley and Bobby Darin. He was performing for audiences at age seven. He began playing guitar at age nine. JP’s influences are far-reaching, absorbing Lennon/McCartney, Hendrix, Clapton, and Motown, during the 60’s. Jazz-fusion bands of the early 70’s were also influential, like Mahavishnu Orchestra, Weather Report and Frank Zappa. These became JP’s earliest jazz-rock influences. Other influences include Tom waits, Roger Waters, David Gilmour, Donald Fagan, Ian Hunter, Joni Mitchell, Jeff Beck, Joe Pass, Wes Montgomery, Dizzy Gillespie, Horace Silver, Charles Mingus, Paul Simon, Todd Rungren and Joe Walsh.JP was continually writing, singing and playing in bands throughout his college years, and he graduated from the University of Florida with a degree in Broadcasting in 1978. Fast forward the next 20 years or so, and he had become a successful videographer and producer, all the while pursuing his music. During the 1990’s, JP adopted the pseudonym “Alien Music Club”. The idea of a club came from the desire to incorporate the talents of other musicians and friends in the creative process. The “Alien” concept comes from the wildly eclectic nature of JP’s music, which defies categorization. “It’s really a musical melting pot,” says JP.

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42 Biltmore Avenue , Asheville, NC
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Event Date: 11/30/2017   Event Time: 9:00 PM

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Start Making Sense

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Start Making Sense - Once In A Lifetime Start Making Sense - Life During Wartime Start Making Sense - Burning Down the House If David Byrne is one of the geniuses of modern times, then Start Making Sense is a tribute to genius. The musicians in this 7-piece Talking Heads Tribute take pride in faithfully recreating the music of Talking Heads entire career. Together they bring much of the Heads unique live show to the stage, with front man Jon Braun as a spot-on David Byrne, giving you a "once in a lifetime" experience. Prepare yourself for a rockin', funkin', danceable celebration of the new-wave art punk you loved from the 80's !!!

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185 Clingman Avenue , Asheville, NC
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Event Date: 12/01/2017   Event Time: 6:00 PM

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101 Fairview Road Suite D , Asheville, NC 28803
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Event Date: 12/01/2017   Event Time: 8:00 PM

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WHERE: The Altamont Theatre, 18 Church St., 28801WHEN: Friday December 1, 2017DOORS: 7pm | SHOW: 8pmGENRE: folk / americana AGES: all agesTICKETS: $20 adv. / $25 d.o.s. / $30 VIP (guaranteed seat in 1st 3 rows!)SEATING: seated general admissionWEB LISTINGCrystal Bowersox:WEBSITEHEAR SOME MUSICSEE A VIDEO Crystal Bowersox, a northwest Ohio native currently calling Nashville home, has built her life around music. Crystal’s love for music developed at an early age from a need to find peace in a chaotic world. Through art and creation, Crystal was able to direct her energy and emotion, finding a way to mend a mind in turmoil. For her, music was always the most effective form of catharsis, and she would play for anyone, anywhere. In her own words, “my guitar was an appendage. I couldn’t live without it.” Dead set on a career in music, Crystal moved to Chicago as a teenager, where she spent her days performing underground on subway platforms in between working odd jobs. While in the big city, she broadened her musical horizons and shared her talents with a variety of venues, ultimately auditioning for the ninth season of American Idol. Crystal’s time on the show proved to be well spent, as she immediately left the the soundstage for the recording studio. Since her introduction to the world through television, Crystal has released two LP’s, two EPs, and several singles. Additionally, she has used her talents to benefit several causes close to her heart, and has become an advocate and inspiration for people living with Type 1 Diabetes. However, it is what’s in front of her, not what’s behind her, that will define Crystal’s personal and professional evolution. The accomplished singer-songwriter is set to release a new project – a live album, recorded at the Kitchen Sink Studio in Santa Fe, New Mexico, cleverly titled Alive. Not only is the title a play on words, representing the rawness of the tracks, but it pertains to the place where Crystal currently is in her life. That place is one of joy, fulfillment, and stability for Crystal and her eight year old son, Tony. To create her newest project, Crystal called on her “chosen family” of musicians. The combination of keeping those she cherishes close to her and taking an honest look at life has resulted in the truest music she has released to date. Crystal has drawn on her various influences — across folk-pop, classic rock, soul, blues and country — to make the kind of music that resonates with her spirit. It is both tender and tough, rough yet polished, and it encompasses many genres without falling neatly into one category. As one of her songwriting partners describes it, Crystal has “a voice like dirt and diamonds.” Her music is intended to bring a positive message of love and light to the world – things that folks will be able to take with them on their own journey, so that they, too, can feel truly alive. Similar to her beginnings, Crystal intends to make music that has healing power, but at this point, she sees far beyond her own troubles. Her live show is a safe space for concertgoers. Attend a Crystal Bowersox show, and you just might see a grown man cry and a child dance simultaneously. You’ll also likely get the chance to meet her personally; Crystal is typically the first one to arrive and the last one to leave the venue. Meeting with the fans and hearing their personal stories is something Crystal considers a blessing in her life. By reliving her own painful moments in song, Crystal hopes to transcend that pain, lifting herself and her audience to a higher place. In the opening lines of “A Broken Wing” she sings, “I know there’s beauty in the burden / And even on my darkest day that sun will shine.” Crystal’s story is one of resilience and perseverance, and it’s evident in every note of her newest release, Alive.

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18 CHURCH STREET , Asheville, NC 28801
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Event Date: 12/01/2017   Event Time: 9:00 PM

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Big Something$10 Advance / $12 Day of ShowOpeners at 9 A 6 piece powerhouse with a sound that is both unique and timeless, BIG Something fuses elements of rock, pop, funk, and improvisation to take listeners on a journey through a myriad of musical styles. It's no secret why this group has quickly become one of the most exciting new bands to emerge from the Southeast. Soaring guitars, synths, horns and alluring vocal hooks rise to the top of their infectious collection of songs and represent a sound that has caught the ears of such revered Summer circuit stalwarts as Umphrey's McGee, Galactic, moe., Robert Randolph, and even The B52s who have all tapped Big Something as direct support.

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468 Riverside Drive , Asheville, NC 28801
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Event Date: 12/01/2017   Event Time: 9:00 PM

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95 Patton Ave , Asheville, NC 28801
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Event Date: 12/01/2017   Event Time: 10:00 PM

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Genre: ReggaeCover: Donations @ DoorShow: 10PMAges: 21+Mighty MysticConsidered one of the new leaders in the U.S Reggae scene, reggae artist Mighty Mystic’s fresh sound and musical diversity have proved to be a magnet for music lovers in search of that next level sound that has been missing in the reggae genre. It has attracted listeners of all ages and from all walks of life. A charismatic man on a mission, Mighty Mystic has gone from being a fan of reggae music to being a contributor to the art. Mighty Mystic came on the scene in 2006 after scoring his first international hit with the song “Riding on the Clouds.” However, it wasn’t until the release of his first album “Wake up the World” (2010) that he became a household name. “Wake up the World” boasted several standouts, such as “Revolution,” “Riding on the Clouds,” “Original Love,” & “Slipped Away” with appearances from reggae icon Shaggy and roots rocker Lutan Fyah. Mystic continues to wake up the world with his high energy, message driven brand of reggae music which he emphatically calls “HARD ROOTS.” It is this unique spin on classic reggae blended with Hip Hop & Rock that has catapulted him to the forefront of today’s Reggae Revival.THE EARLY YEARSMighty Mystic was born Kevin Mark Holness in the farming community of Goshen, St. Elizabeth, Jamaica to parents Morris & Sonia Holness. As a child, Kevin showed early interest in his native island’s music. It was common to hear him singing the latest tunes while imitating the actions of popular reggae artists. In 1989, the family relocated to Boston, MA in search of a new life. Though oceans apart Kevin never lost the passion for his beloved reggae music. In the mid 90s Kevin began tagging alongside his older brother Stephen who had made a name for himself in the local Hip Hop scene. Kevin saw this as an opportunity and began showcasing his reggae vibes at every chance he was given. It was almost instantaneous, but young Kevin had been bitten by the music bug. The name “Mystic” coincidentally was the nickname given to his father as a child and also the area in Boston where Kevin grew up. So it was only fitting that Kevin would become Mystic. By the end of his teenage years young Mystic had already developed a core following and began to take the steps necessary to build for the future. Over the next few years Mystic would have several successful regional releases as well as features on VP Records Riddim Driven compilations that brought added attention to the budding Mystic. In 2005 Mystic and Producer Mike Cip of Split2nd Ent hit the studio to develop a more authentic and true sound. The duo would return with perhaps the biggest reggae record of 2006 with the song “Riding on the Clouds”. This was the beginning of the “Mighty Mystic.”MYSTIC OF TODAYMighty Mystic has turned himself into one of the more sought after U.S based Reggae artists on today’s scene. His brand of “HARD ROOTS” with his high energy stage performance has been a magnet for the young enthusiastic reggae fan base. He has managed to hold firm to his Jamaican roots while adding elements of Hip Hop & Rock giving Mystic a more unique sound. In 2014 Mystic made more headlines with the release of his sophomore album “Concrete World”. The album quickly jumped to the top of the Billboard Reggae charts when the first single “Cali Green” hit the airwaves. This ferocious marijuana banger became an anthem for smokers all over and saw itself on several compilations including the popular annual VP Records release of “Hi Grade Ganja Anthems 4”. The following is a quote by Valentin Zill of the highly respected Reggaeville: “Almost all recent reggae success stories involve an artist that doesn’t shy away from stretching the “boundaries” of the reggae genre. “Concrete World” is an eclectic album of cutting-edge quality that manages to keep a distinct reggae feel to a surprising extent. It is a blueprint for contemporary modern roots, one that could define 2014… And so it did! Mystic has been described as man on a musical mission. Touring and shared the stage with some of Reggae’s biggest names such as Steel Pulse, Damian Marley, Toots and the Maytals, Lee Scratch Perry, Barrington Levy, Buju Banton, The Wailers, Shaggy, Collie Buddz, Sean Paul, Badfish, Dirty Heads, SOJA, John Brownʼs Body, Luciano, Third World, Freddie McGregor, and Capleton to name a few. His message of peace, love, struggle and perseverance isn’t something new under the sun. However, it is the passion and flare delivered by Mystic that has the people saying yes. With two successful albums (Wake up the World 2010, Concrete World 2014) under his belt Mystic is gearing up for an action packed 2016 which will see the March 11th release of his third album “The Art of Balance”, along with a U.S tour to follow. This project will be released through California based Roots Musician Records which is the brain child of E.N Young (member of Tribal Seeds) and will mark the first time these two reggae entities will be working together. Get to know this rising reggae sensation by visiting his official website and pertinent social media outlets.web: http://www.mightymystic.com/vid: https://youtu.be/dk5AOL6NsFg

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55 College Street , Asheville, NC 28801
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Event Date: 12/01/2017   Event Time: 10:00 PM

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We start at 10:00 PM

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106 North Lexington Avenue , Asheville, NC 28801
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Event Date: 12/02/2017   Event Time: All Day

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185 Clingman Ave , Asheville, NC 28801
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Event Date: 12/02/2017   Event Time: 3:00 PM

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195 Hilliard Avenue , Asheville, NC 28801
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Event Date: 12/02/2017   Event Time: 5:00 PM - 6:00 PM

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Concert pianist, Alex Watson, debuts a solo piano holiday benefit concert. The concert will feature virtuoso classical/jazz piano arrangements of familiar holiday music. Suggested donation is $20 to benefit the Asheville Buncombe County Christian Ministry's (ABCCM) Veterans Restoration Quarters and kickstart the Alex Watson Piano sacred album recording project for 2018.

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10 N Liberty St, Asheville, NC 28801 , Asheville, NC 28801
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Event Date: 12/02/2017   Event Time: 6:00 PM

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True Grits band show. Free! 6-8pm

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101 Fairview Road Suite D , Asheville, NC 28803
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Event Date: 12/02/2017   Event Time: 8:30 PM

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1042 Haywood Road , Asheville, NC 28806
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Event Date: 12/02/2017   Event Time: 9:00 PM

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Ages 18+

cutcopy.net

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101 Biltmore Avenue , Asheville, NC 28801
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Event Date: 12/02/2017   Event Time: 9:00 PM

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10 Patton Avenue , Asheville, NC 28801
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Event Date: 12/02/2017   Event Time: 9:00 PM

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Big Something$10 Advance / $12 Day of ShowOpeners at 9 A 6 piece powerhouse with a sound that is both unique and timeless, BIG Something fuses elements of rock, pop, funk, and improvisation to take listeners on a journey through a myriad of musical styles. It's no secret why this group has quickly become one of the most exciting new bands to emerge from the Southeast. Soaring guitars, synths, horns and alluring vocal hooks rise to the top of their infectious collection of songs and represent a sound that has caught the ears of such revered Summer circuit stalwarts as Umphrey's McGee, Galactic, moe., Robert Randolph, and even The B52s who have all tapped Big Something as direct support.

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468 Riverside Drive , Asheville, NC 28801
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Event Date: 12/02/2017   Event Time: 10:00 PM

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28 Broadway Street , Asheville, NC 28801
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Event Date: 12/03/2017   Event Time: All Day

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Asheville, North Carolina, United States , Asheville, NC
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Event Date: 12/03/2017   Event Time: 7:30 PM

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Redleg Husky is a country, bluegrass, and blues duo based in Asheville, North Carolina. Since its inception in 2012, the band has been performing its unique blend of American music in barrooms, theaters, and festivals throughout the Southeast and beyond. The group has released three recordings of original music in that time, a self-titled EP in 2013, its full-length debut, Carolina, in 2014, and a second LP, My Old Heart, in 2016. Redleg Husky features Tim McWilliams on acoustic guitar, banjo, and vocals, and Son the Bassman on bass and vocals. With more than five hundred shows already under their belt, Tim and Son are excited to continue their musical evolution, developing new takes on classic songs, bringing an impassioned live show to audiences throughout the region, and pushing musical boundaries within the many sub-genres of Americana.

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42 Biltmore Avenue , Asheville, NC
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Event Date: 12/03/2017   Event Time: 8:00 PM

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101 Biltmore Avenue , Asheville, NC 28801
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Event Date: 12/03/2017   Event Time: 8:00 PM

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WHERE: The Altamont Theatre, 18 Church St, 28801WHEN: Sunday December 3, 2017DOORS: 8pm | SHOW: 8:30pmGENRE: punk jazz!AGES: all agesSEATING: mix of seats/standingTICKETS: $8 adv. / $12 d.o.s. / $15 VIP (guaranteed seat in 1st 3 rows!)EVENT LISTINGThis will be the LAST Mike Dillon Band show at The Altamont forever, as we're closing down just a few weeks after this! Featuring the great Claude Coleman Jr. of Ween on drums!The Mike Dillon Band:WEBSITEHEAR SOME MUSICSEE A VIDEO • 2015 Drummies Artist Awards - Winner Rock/Pop/Hip-Hop Percussionist• 2015 Drummies Artist Awards - Runner up Percussionist of The Year• 2014 Downbeat Critics Choice -- Vibraphone• 2014 Downbeat Readers Poll Winner - Vibraphone• 2012, 2013 and 2014 Downbeat Rising Star How many artists can claim being praised a "punk rock provocateur," "jazz vibraphone visionary" and "percussion virtuoso" in the same sentence? There's only one: Mike Dillon. Whether through his affiliation with artists like Les Claypool, Brave Combo and Ani DiFranco, collaborations such as Garage A Trois, The Dead Kenny Gs and Critters Buggin or bands he's fronted, including Billy Goat and Hairy Apes BMX, the Texas-native has set his own standard for 25 years now.Pulling from an arsenal of musicians Dillon has played with and known over the years, he will be touring with some of the "baddest" musicians on the planet including Claude Coleman Jr. (Ween), Norwood Fisher (Fishbone), Doug Belote (Ernie K. Doe), Andre Chomondeley (Project Object), James SIngleton (James Booker) , Patrick McDevitt (Band Of Outsiders), Johnny Vidacovich (Professor Longhair), JJ Jungle (The Coup), David Butler (American Babies), Brad Houser (Critters Buggin), Robb Kidd (Papa Mali), and many more.Dillon's most recent recording Band of Outsiders was crafted at Studio Center in Miami with the help of co-producers Gary Vandy and Richard Maloney Jr. Vandy is an old school engineer whose work includes over 200 platinum records predominantly in the disco and dance genres. His love of Zappa is what attracted him to Dillon’s work. In the age of pro-tools chicanery, the production is straightforward, capturing Dillon and his band playing live in a room.“Two tours of Mexico and a steady dose of Brazilian music was the jumping off point for these new songs,” explains Dillon. “Add our love for The Melvins, Deerhoof, Bad Brains, Dead Kennedys, Trouble Funk and all things New Orleans and this album surpasses our intention to make the freakiest, most vibrant dance music on the planet.”Lyrically speaking, Mike Dillon draws from his love of Miguel de Cervantes, William Burroughs, Kurt Vonnegut and Robert Anton Wilson to tell stories of New Orleans debauchery mixed with age-old themes of travel, love, self-destruction and greed. Delivered with Dillon’s trademark vocal rasp, the record has the intensity of a Tom Waits-meets-Frank Zappa black comedy. Rumor has it that Dillon lived in the same apartment that Waits shared with Rickie Lee Jones for the past seven years. However, Dillon discounts those rumors: "This apartment has housed dudes from Morning 40 Federation, Ani DiFranco, an old Conga player and a bunch of heroin addicts.”Taken in its entirety, Mike Dillon's Band of Outsiders is a snapshot of four musicians hitting full stride. Having relentlessly toured the country in 2013—both headlining and opening for artists like Fishbone, Clutch, Primus and Galactic—its 13 songs bristle with a group mind, spill over the sides with the visions invoked during countless dead-of-night drives crisscrossing the country in a van and hit their target with a sonic assault only possible from a band that’s played 400-plus shows over the last two years.“People are always trying to figure out how to describe our music. Maybe we should call it New Orleans punk jazz Brazilian math rock? It’s a gumbo of tribal percussion, The Meters, old school hardcore, Brazil, hard bop and anything else that might move us,” concludes Dillon. “But you know, I really don’t care what you call it. We kick out the jams harder than anyone, and we also know when to heed the lessons of The Minutemen's Double Nickels On The Dime and keep things straight to the point. There’s a reason we called the record what we did. We’re the living, breathing definition of a band of outsiders, but together we deliver simple majestic beauty, let’s leave it at that.”

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18 CHURCH STREET , Asheville, NC 28801
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Event Date: 12/06/2017   Event Time: 8:00 PM - 11:30 PM

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Wednesday December 6 Doors 8 PM // Show 8:30 PM Battalion of Saints The Cryptics The Nobodys +Local Support $10 Presale // $12 Door

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1045 Haywood Rd , Asheville, NC 28806
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Event Date: 12/07/2017   Event Time: All Day

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Celebrate the birth of our Savior! Enjoy a special evening of fellowship, a Christmas dinner, and the joyful music of inspiring singers.

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1 Porters Cove Rd , Asheville, NC 28805
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Event Date: 12/07/2017   Event Time: 7:00 PM

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1042 Haywood Road , Asheville, NC 28806
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Event Date: 12/07/2017   Event Time: 7:30 PM

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87 Haywood Road , Asheville, NC
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Event Date: 12/07/2017   Event Time: 7:30 PM

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87 Haywood Road , Asheville, NC
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Event Date: 12/07/2017   Event Time: 9:00 PM

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Alien Music Club is essentially an on-going studio project conceived and produced by Jonathan Pearlman (JP) of Asheville, NC.JP grew up hearing light jazz and pop music. His first musical icons were Elvis Presley and Bobby Darin. He was performing for audiences at age seven. He began playing guitar at age nine. JP’s influences are far-reaching, absorbing Lennon/McCartney, Hendrix, Clapton, and Motown, during the 60’s. Jazz-fusion bands of the early 70’s were also influential, like Mahavishnu Orchestra, Weather Report and Frank Zappa. These became JP’s earliest jazz-rock influences. Other influences include Tom waits, Roger Waters, David Gilmour, Donald Fagan, Ian Hunter, Joni Mitchell, Jeff Beck, Joe Pass, Wes Montgomery, Dizzy Gillespie, Horace Silver, Charles Mingus, Paul Simon, Todd Rungren and Joe Walsh.JP was continually writing, singing and playing in bands throughout his college years, and he graduated from the University of Florida with a degree in Broadcasting in 1978. Fast forward the next 20 years or so, and he had become a successful videographer and producer, all the while pursuing his music. During the 1990’s, JP adopted the pseudonym “Alien Music Club”. The idea of a club came from the desire to incorporate the talents of other musicians and friends in the creative process. The “Alien” concept comes from the wildly eclectic nature of JP’s music, which defies categorization. “It’s really a musical melting pot,” says JP.

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42 Biltmore Avenue , Asheville, NC
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Event Date: 12/07/2017   Event Time: 10:00 PM

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Jeff Thompson's Hot Threesome

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31 Patton Avenue , Asheville, NC 28801
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Event Date: 12/07/2017   Event Time: 10:00 PM

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Genre: Progressive RockCover: Donations @ DoorShow: 10PMAges: 21+Jeff Thompson is a singer, songwriter, guitarist, and performer. He likes to wear fedoras and blazers. He likes when spontaneous conversations with strangers and friends proceed like improvised poems. He often wishes he had a tape recorder in his hand. He usually ends up texting choice phrases to himself, so that he won’t forget them. Most of his lyrics come to him, melodies in tow, in the shower or in the last drops of dreaming before waking wipes the slate of his mind dry for the day."Jeff Thompson has songs that welcome you into a world of intriguing characters, and he has the voice and musicality to keep you coming back."David Wilcox - Grammy nominated songwriterweb: http://jeffthompsonmusic.com/vid: https://youtu.be/2HMIetQtD8s

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55 College Street , Asheville, NC 28801
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Event Date: 12/08/2017   Event Time: All Day

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185 Clingman Avenue , Asheville, NC
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Event Date: 12/08/2017   Event Time: All Day

Description:
Celebrate the birth of our Savior! Enjoy a special evening of fellowship, a Christmas dinner, and the joyful music of inspiring singers.

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1 Porters Cove Rd , Asheville, NC 28805
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Event Date: 12/08/2017   Event Time: 9:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 12/09/2017   Event Time: All Day

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185 Clingman Ave , Asheville, NC 28801
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Event Date: 12/09/2017   Event Time: All Day

Description:
Celebrate the birth of our Savior! Enjoy a special evening of fellowship, a Christmas dinner, and the joyful music of inspiring singers.

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1 Porters Cove Rd , Asheville, NC 28805
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