Event Date: 07/20/2019   Event Time: 12:00 PM

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63 Brook Street , Asheville, NC 28803
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Event Date: 07/20/2019   Event Time: 7:00 PM - 11:30 PM

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701 Haywood Road , Asheville, NC 28806
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Event Date: 07/20/2019   Event Time: 7:00 PM

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Dirty swamp and country blues pink!

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496 Haywood Road , Asheville, NC
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Event Date: 07/20/2019   Event Time: 8:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 07/20/2019   Event Time: 8:00 PM

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Worthwhile Sounds Presents: An Evening With Charlie Hunter and Lucy Woodward TICKETS ON SALE NOW: $15 ADV / $18 DOS / $25 VIP (Guaranteed 1st 3 Rows)WHEN: Saturday July 20th, 2019WHERE: Ambrose West 312 Haywood Road Asheville, NC. 28806DOORS: 7pmSHOW: 8pmSEATING: Seated Show AGES: All Ages Charlie Hunter and Lucy Woodward Charlie Hunter and Lucy Woodward are known for excelling in different genres, yet the two veteran musicians have been running in similar circles before pairing up for touring in 2018.   With a career spanning 26 years and almost 20 albums, virtuoso guitarist Charlie Hunter has worked with the likes of Norah Jones, Mos Def, John Mayer, and D’Angelo. He is widely considered the authority on the seven and eight - string guitar, and continues to stun audiences with his ability to simultaneously bust out tasty bass parts, melodic leads and swinging rhythms.  Lucy Woodward made her major label debut in 2003. She has since recorded/toured with Rod Stewart, Snarky Puppy, Barbra Streisand, Celine Dion, Pink Martini, Chaka Khan and Carole King releasing 3 more albums along the way. Her latest studio effort was 2016's "Til They Bang On The Door" released on the Snarky Puppy-owned GroundUP Music.  As for what to expect live from Hunter and Woodward, the two -- as rounded out by a drummer -- will be performing pocket-heavy renditions of vintage blues and classic vintage pop, covers of Nina Simone, The Animals, Bessie Smith and Terence Trent D'Arby included.

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312 Haywood Road , Asheville, NC
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Event Date: 07/20/2019   Event Time: 8:00 PM

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After more than 50 active years of hit song making and international album sales well into the multi-millions, it's safe to say that esteemed singer-songwriter and musician Gordon Lightfoot resides with some very exclusive company atop the list of all-time greats. His song catalog is incredibly vast and includes such immortals as Early Morning Rain, If You Could Read My Mind, Carefree Highway, Sundown, (That's What You Get) For Lovin Me, The Wreck Of The Edmund Fitzgerald," "Canadian Railroad Trilogy," "Ribbon Of Darkness," "Beautiful," "Song For A Winter's Night" and "Rainy Day People" to name a few. Celebrating his 80th birthday, this year is special for the legendary artist, who has announced plans for a cross-country USA tour entitled "GORDON LIGHTFOOT: 80 YEARS STRONG TOUR". The tour will feature his well known hits as well as some deep album cuts for the die-hard fanatics. All of which are woven together with some of Lightfoot's own behind the scenes stories and personal anecdotes about his historic 50-plus-years musical career and his 80 years of life. The event is sure to be a great thrill for live audiences and anyone who enjoys hearing great music and seeing a living legend in person. Gordon Lightfoot has recorded 20 albums and has fiveGrammy nominations. His songs have been aired regularly for 50 years, earning him Radio Singles Chart Positions in North America achieved by few others. Lightfoot's radio hits in the USA have earned Five #1s, Five Top 10s and Thirteen Top 40 hits. InCanada he has earned Sixteen #1s, Eighteen Top 10s and Twenty One Top 40 hits. Aside from his success in writing, singing and performing his own songs, Lightfoot has found fortune in having his songs recorded and performed by other great artists including: Bob Dylan, Elvis Presley, Johnny Cash, Hank Williams, Jr., Marty Robbins, Jerry Lee Lewis, Judy Collins, Johnny Mathis, Anne Murray, Olivia Newton-John, Sarah McLachlan, Barbra Streisand, Peter Paul & Mary, Harry Belafonte, Janes Addiction, Richie Havens, Glen Campbell, Toby Keith and George Hamilton IV. In June of 2012 Lightfoot's legacy was further enhanced when he was inducted into the Songwriters Hall Of Fame. Lightfoot was honored for his role in defining the folk-pop sound of the 1960s and '70s. There are fewer than 400 inductees who make up the impressive roster enshrined in the Songwriters Hall of Fame including Barry Mann, Jerry Leiber and Mike Stoller, Hal David and Burt Bacharach, John Fogerty, Bob Dylan, Isaac Hayes, Carole King, Paul Simon, Billy Joel, Sir Elton John, Bernie Taupin, Brian Wilson, James Taylor, James Brown, Bruce Springsteen, Jim Croce, Phil Collins, Loretta Lynn, Jimmy Webb, Van Morrison, Kris Kristofferson, Dolly Parton, Diane Warren, Garth Brooks, Leon Russell and Leonard Cohen. In his native Canada, Lightfoot has been decorated with the highest honors bestowed to a civilian including the Governor's General Award and the Companion to the Order of Canada honor of merit. He has also won 17 Juno Awards - Canada's equivalent to the Grammy Awards. Gordon is a member of Canada's Walk of Fame and The CanadianSongwriters Hall of Fame. In 2007, Canada Post honored him by issuing an official Gordon Lightfoot postage stamp. Lightfoot is also in the Canadian Music Hall of Fame and the Canadian Country Music Hall of Fame. Gordon Lightfoot is an indelible part of the Canadian national spirit and regarded as perhaps the most prolific and greatest Canadian singer-songwriter of all time.

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87 Haywood Street , Asheville, NC 28801
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Event Date: 07/20/2019   Event Time: 9:00 PM

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110 North Lexington Avenue , Asheville, NC 28801
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Event Date: 07/21/2019   Event Time: All Day

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468 Riverside Drive , Asheville, NC 28801
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Event Date: 07/21/2019   Event Time: 4:00 PM

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Red hot jazz on the bandstand in Antler Hill Village on Biltmore Estate!

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1 Antler Hill Road , Asheville, NC 28803
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Event Date: 07/21/2019   Event Time: 6:00 PM

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$20 Advance / $20 Door Doors 5PM :: Show 6:00PM One third of Brother Sun, one half of Deeper Than The Skin - entirely himself. From Carnegie Hall to Car Talk to All Things Considered, few musicians have such style, passion, and sheer musicality. General Admission :: Seated Show with a limited number of tables available with dinner reservations. Please call 828-575-2737 for reservations.

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743 Haywood Road , Asheville, NC 28806
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Event Date: 07/21/2019   Event Time: 7:00 PM

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Asheville's most open mic. Bring yourself, a group, an instrument, a story or whatever you got to our welcoming and supportive stage. Limit of 15 minutes or 3 songs. Sign-up starts at 6:30.

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271 Haywood Street , Asheville, NC 28801
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Event Date: 07/21/2019   Event Time: 8:00 PM

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A powerhouse from the Lone Star State, the Ally Venable Band has ignited excitement in the Modern Blues Scene. Lead vocalists and guitarist, Ally Venable, started singing at an early age in church and then in recent years picked up the guitar and found her passion establishing herself as a Texas Blues Guitar Slinger. Allys songwriting and onstage performance, proves that she packs a punch. She has received many awards including the 2014 and 2015 "Female Guitarist of the Year ", three time winner of "Blues Band of the Year", "Album of the Year"- ETX Music Awards 2017. Guitar Player Magazine stated that," "Venable pulls off a stunner of gritty and/or sultry blues-rock tunes embellished with lots of tasty guitar solos." Each of Allys band mates are versatile on multiple instruments. As Bassist, Bobby Wallace is a master at his craft and his years of experience enhance the band. Classically trained musician and drummer, Elijah Owings, brings a steady, but dynamic sound to the band. He is the backbone of their rockin blues sound. Allys recent release Puppet Show deputed at #7 on the Billboard Blues Charts, and continues to represent the future of the blues. Ally has shared the stage with Gary Hoey, Rick Derringer, Eric Gales, Lance Lopez, Christone "Kingfish" Ingram, and Many others.

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185 Clingman Avenue , Asheville, NC
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Event Date: 07/21/2019   Event Time: 9:00 PM

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SPOTLIGHTS live at The Mothlight!

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701 Haywood Road , Asheville, NC 28806
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Event Date: 07/22/2019 - 07/26/2019   Event Time: All Day

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360 Asheville School Road , Asheville, NC 28806
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Event Date: 07/22/2019   Event Time: 8:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 07/23/2019   Event Time: 8:00 PM

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Music: 8pm-11pmCover: $5 Suggested DonationAges: 21+Formerly hosted at Tressa's, the Early Tuesday Jam will now be at The One Stop at Asheville Music Hall EVERY TUESDAY- from 8pm to 11pm.The (usual) 4-piece House Band, the Trilateral Omission (JP Furnas on bass, Lenny Pettinelli on keys and vocals, and Sean Mason on drums) and a featured guest, plays from 9pm-10pm. Then, from 10pm until 11pm, we feature musicians (inst. or vocal) from inside the AVL community and anywhere beyond to come sit in and share in some joyful sonic expansion for the eyes and ears of an audience that changes each week - just as our musical guests and features do! The Early Tuesday Jam is live and always different! We do what we can to allow for as much diversity in song selection/style/genre to reflect a cross-section of the Asheville music scene and our world at large. See you next Tuesday! :)

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55 College Street , Asheville, NC 28801
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Event Date: 07/23/2019   Event Time: 9:00 PM

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Prince Daddy & the Hyena live at The Mothlight!

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701 Haywood Road , Asheville, NC 28806
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Event Date: 07/24/2019   Event Time: 6:30 PM

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In Studio with Rissi Palmer & UNC-TV! FREE! You and your guests are invited to an exclusive, intimate In Studio concert by Rissi Palmer! As a local complement to the next Ken Burns’ blockbuster documentary, Country Music, UNC-TV Public Media North Carolina presents In Studio, a series of in-studio concerts featuring some of our state’s best artists from the musical melting pot that is country music. These hourlong concerts will air statewide on UNC-TV and the North Carolina Channel, as well as available online. Ken Burns’ Country Music, an in-depth, eight-part, 16.5-hour film, premieres Sunday, September 15, at 8 PM, and rolls out across two weeks. Episodes 1-4: September 15 – 18, 8 PM  Episodes 5-8: September 22 – 25, 8 PM  Space is extremely limited, and reservations will be accepted on a first-come, first-served basis. Reserve your spot now by registering via Eventbrite. For questions, please contact the In Studio producer, Will Mikes, at 919-549-7018 or [email protected] Who: You & Your Guests! What: In Studio with Rissi Palmer When: Wednesday, July 24 Doors open: 6:30 PM Doors close: 6:50 PM Show starts: 7 PM Show ends: 8-8:30 PM Where: UNC-TV Studios, 10 UNC-TV Drive, Research Triangle Park, in Durham County (Conveniently located just minutes from I-40 and the Durham Freeway/Hwy 147, with plenty of free, accessible parking.) Notes: Because we are filming this concert for broadcast, we need all guests seated by 6:45 PM; doors will close at 6:50 PM. No photography or recording during the performance taping. We look forward to your enthusiastic presence at our RTP studios for an exclusive evening of music from Rissi Palmer!

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10 UNC TV Drive , Asheville, NC
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Event Date: 07/24/2019   Event Time: 9:00 PM

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We start at 10:00

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106 North Lexington Avenue , Asheville, NC 28801
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Event Date: 07/24/2019   Event Time: 9:00 PM

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Mike Krol live at The Mothlight!

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701 Haywood Road , Asheville, NC 28806
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Event Date: 07/24/2019   Event Time: 10:00 PM

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Asheville's most eclectic jam. Bring your weird pedal, circuit bent toy, drum machine, tone generator, odd samples or whatever you got! House guitar, keys, bass, drums and big ass PA. No covers! No dad rock! (dads allowed)

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271 Haywood Street , Asheville, NC 28801
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Event Date: 07/25/2019   Event Time: 6:30 PM

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Trevor Hall Meet & Greet New Belgium Brewing (Asheville, NC) Meet & Greet will occur before Trevor Hall's set, more info to come closer to the show. Package includes meet & greet, soundcheck access, commemorative laminate, and signed CD. This does NOT include a show ticket, must also purchase show ticket here. No refunds.

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21 Craven St. , Asheville, NC
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Event Date: 07/25/2019   Event Time: 6:30 PM

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1455 Patton Ave , Asheville, NC 28806
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Event Date: 07/25/2019   Event Time: 6:30 PM

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The Man in the Mirror

The contradictions in John Butler are evident, and, despite his magnificently successful career (with number one albums in Australia and sell-out tours) his is a troubled soul. One of the most successful recording artists Australia has ever produced and a musician whose reputation has begun to rock the waters of both Europe and America, Butler is nevertheless a man on the edge. Where will he go next? Up or down? Despite the tensions within the man and his music the new album makes his future trajectory abundantly clear.

An independent role model, founder of Australia’s Jarrah Records, family man and proud skateboard aficionado, JB, in spite of his matey public persona, remains an enigma. He is from everywhere and nowhere, an Australian/American, Everyman/Nowhere Man, and his music mixes rootedness and rootlessness, pain and celebration in a way that is utterly beguiling. He is the consummate rebel-refugee whose songs chart disenchantment with the corporate world and show a yearning for truth along with an ongoing struggle for a sense of locus. The songs’ off-centre grooves have always been their charm, and yet now there is a sense, in the new album at least, of resolution and peace after years of being against the world and what it offered. Maybe the man on the brink will not jump after all?

The Past

Born in California and of mixed Australian, Greek and Bulgarian ancestry, Butler began his musical career in classic if tentative style. The narrative arc is well-known Down Under. An art-school dropout, he was ‘discovered’ busking in 1996, bystanders marvelling at ‘the sweat flying off his brow’ and ‘the holy madness in his eyes’. The tape of these early compositional soundscapes Searching for Heritage gave an inkling of where Butler was going, reaching as it did both forwards and backwards in time, conversant with all genres and yet somehow defining its own. The sound had, and still has, elements of folk, funk, reggae and rock all drizzled through the 90s Seattle sensibility. Behind all that there was a wistful Celtic ambience surreally counterpointed by a Jamaican roots/rudeboy vibe. What could have been a mess somehow made perfect sense, with the bluegrass fingerpicking, hip hop beats and psychedelic wig-outs proving not uneasy bedfellows but perfect complements.

Now

On Flesh & Blood it goes even further, yet with a restraint that bespeaks a deepening maturity. There are dirty Stevie Wonder-style boogies, ghostly refrains that could come from Simon and Garfunkel, sonic poltergeists which seem, at times, to resemble lost rock classics. In the hands of a lesser man this would be mere thievery dressed up as ‘eclecticism’. But Butler is a maestro – he takes his influences and transcends them. He creates a sound that is as ancient as aboriginal bone-art and yet as modern as your Twitter feed. He has been hailed as one of the world’s greatest guitarists, a musician’s musician, one whose sound offers not three chords and the truth but a thousand. His prestidigitation is astounding. An old song like “Ocean,” for example, has chalked up 30 million Youtube hits, and not just with guitar freaks studying his technique. The new album has songs that are less expansive and more ‘reined in’, but the playing is all the more impressive for being more tightly corralled. Less sometimes really is more.

Flesh & Blood may be his best yet. In parts it is simply overwhelming. The album has captured that elusive thing: soul. Butler has spoken in interviews of his songs being like ‘wild horses, wild beasts’ and you can see what he means. Songs, he says, come from the ‘ether’, from a savage hinterland: they must be caught without breaking their spirit. A ‘song-capturer’, Butler’s job has been not to tame those horses but to present their wildness. His myth of composition evokes the timeless expanse of both the Aussie Outback and the American West, and he and his fellow band members have been at pains to honour the songs as independent things that belong to no one, least of all themselves.

Arising from a series of agenda-free jams in Butler’s studio ‘The Compound’ in Fremantle, (Australia) the album took a mere 20 days to record and, though beautifully structured in sonic terms, there is a rawness and honesty to the album that reflects the brevity of its laying down. The songs have a wide-open, semi-improvised feel. The crisp and beautifully spare production of Jan Skubiszewski accentuates the sense of limitless space: the drums (courtesy of the aptly named Nicky Bomba) kick with dub explosions, while the bass (‘Lord’ Byron Luiters) goes on inspired transient walkabouts. Butler’s voice, free of the ‘anger’ that has dogged him for so long, now soars with both melancholy and plangent purity. “Wings are Wide” evokes rainforests: it is drenched in dizzying guitar loops in which the listener is enmeshed and lifted timelessly elsewhere. “Spring to Come” could be a classic, Butler’s acrylic fingernails plucking more of their extraordinary patterns. “Blame it on Me” is a cocky peacock-strut juxtaposed with dark references to apocalyptic ‘heavy times’. “Young and Wild” has the simple beauty of a song – a down home-country feel offset by the gorgeous shadowing of female vocalist Ainslie Wills. “How You Sleep at Night” is a hypnotically anthemic piece featuring the ferocious drumming of new man Grant Gerathy; Bomba having jumped ship (albeit amicably) to front his own Melbourne Ska Orchestra. The synth-anchored “You’re Free” sounds like its title: it is as if the composer, haunted by righteous ire, has taken flight, escaping earthly confines but not flying too close to the sun. New single “Only One” shows a new maturity in pop craftsmanship. The quiet/loud dynamic is beautifully exploited yet again. A simple three note refrain and rolling storm-cloud drums establishes a minor key mood: a place of ‘castles built out of sand’ and ‘something haunting’ the protagonist. But then the chorus erupts with steel drum euphoria transporting the listener to what sounds like Africa — a third world of ecstatic being. That is the JB trick par excellence: the shift from fireside ballad to communal dance, from private to public, from doubt to assertion.

Home Again

With Flesh & Blood, Butler has come full circle. Searching for Heritage led ultimately to April Uprising, an album that delved into Butler’s family history, one in which ethnic Bulgarians (Butler’s kin) rose up in 1876 against the tyrannical Ottoman Empire that had suppressed them. John’s own name derives from his paternal grandfather, a forestry worker who died fighting a bushfire in Nannup, Oz. From these historical titbits we glean some inkling of the artist. He is a man fighting for justice, a man fighting fires — those of love gone bad, of corporate greed, or simply of his own angry soul. As Butler has confessed in a recent interview, “I thought my anger was my strongest asset and that’s what made me powerful, but it was actually my weakest link. My vulnerability, my honesty and patience and trust are my strongest attributes.” The album bears this out. As Butler has matured the anger has been sublimated in poetry, and his voice, on the tender love songs especially, has become his outstanding instrument.

Flesh & Blood is a testament to his talent, and to a man who has finally found himself. On some songs he sounds simply reborn. “I wanted the songs to be a lot more guttural and fleshier,” says a newly humble JB. “I wanted to smell it and feel it a bit more. And I wanted my voice, now and always, to be more convincing.” If it’s authenticity he was seeking he has surely found it.

If he has been a ‘man on the edge’ he is certainly not going to jump and end it all. He now has the wisdom and the courage to take a step back – and enjoy the view.

John Butler is no pie-in-the-sky hippy. He has dirt beneath his feet: red dirt. He is well-known Down Under for his environmental and political commitment. His white Rasta look once suggested a teleported Bob Marley – but that has gone. The more recent barbered image makes him look like a handsome American from the Civil War era. His stare is hypnotic. Who will draw first, you or him? He is not, however, all gun and no trousers. He has put his money where his mouth is, fronting a campaign that helped stop a vast gas plant from despoiling the natural beauty of the Kimberley area in NW Australia. He has also set up a charitable trust that has enabled many aspiring artists to find an outlet. He is a man who cares about the world he is in and one who has tried, in his own way, to set in right.

johnbutlertrio.com

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 07/25/2019   Event Time: 7:00 PM

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Mike Kenton (guitar), Jim Tanner (guitar) & Andrew Platt (upright bass).

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85 W Walnut St , Asheville, NC 28801
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Event Date: 07/25/2019   Event Time: 7:00 PM

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21 Craven St. , Asheville, NC
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Event Date: 07/25/2019   Event Time: 7:30 PM

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1 Antler Hill Road , Asheville, NC 28803
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Event Date: 07/25/2019   Event Time: 7:30 PM

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1 Antler Hill Road , Asheville, NC 28803
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Event Date: 07/25/2019   Event Time: 9:00 PM

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with Nora Jane Struthers
Were 5 best friends from AZ. We love the desert, we love our city, its people, and we love each other. We love long drives, early mornings, late nights, dive bars, carne asada Tacos at 3 am, dirty jokes, and asking each other what we think about things. Were just as likely to get down on Simon & Garfunkel and Bob Dylan as we are Van Halen, and Kendrick Lamar. We love dogs, we love our van, we love playing together, and we love you its true. For the past few years, weve pretty much always been on tour, hitting the road on our own, with fellow bands, and have been lucky enough to open for a few heroes. From living rooms and basement clubs, to theaters and arenas, we just love playing shows, and being on the road.Our fans are our greatest priority we love them, we really do, and we do our best to insure them that we cant do this without them. Our message is one of acceptance, not in a circle sitting kum-baya bullshit way, but in a way of acknowledging that we all have shit we regret, we all have passions and opinions, and its up to all of us to filter through our flaws and our regrets to find ourselves and love one another. Dont judge other people, and care about everybody, like EVERYBODY everybody. Our shows are rowdy, youll break down your walls and realize youre not in this alone. We hope you come to a show, make our songs a part of your story, and live the best fucking life you can.Cheers,Jared & The Mill

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185 Clingman Avenue , Asheville, NC
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Event Date: 07/25/2019   Event Time: 9:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 07/26/2019   Event Time: 7:30 PM

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1 Antler Hill Road , Asheville, NC 28803
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Event Date: 07/26/2019   Event Time: 7:30 PM

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1 Lodge Street , Asheville, NC 28803
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Event Date: 07/26/2019   Event Time: 8:00 PM

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1078 Tunnel Road , Asheville, NC 28805
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Event Date: 07/26/2019   Event Time: 9:00 PM

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Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks. Commercial success may never have been theirs (if time and space had been aligned correctly, theyd have been blitzing ballrooms in the early 70s instead of opening for Stone Temple Pilots in the early 90s), but Redd Kross have endured and endeared because theyve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.Like fellow legendary Great American John Waters, theyve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late 80s/early-90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colorsstuff that had (largely) been ditched in the underground rocks post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the 90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.But you never quit being brothers. And so heres the next Redd Kross albumproduced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 200708, and recorded in that same period with the bands current lineup, whove re-engaged in live performance since being lured back into action by an excitable Spanish promoter.Theyre too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time youre two minutes and 51 seconds into the second song, Stay Away From Downtown, and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian Draculas Daughters, ends and the dynamic mid-60s Beatles jingle Meet Frankenstein launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songsThe Nu Temptations (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the Surrender/Noel n Liam rockers Choose to Play and Winter Blues, and the stunning summer psychedelic power pop that is the closing Hazel Eyesyou will know the truth. You tried the restbut now youve had the best. The McDonalds were educated at Rock n Roll High, and theyve stayed true to their school. Heres to their beautiful reunion! Redd Kross Forever!

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185 Clingman Avenue , Asheville, NC
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Event Date: 07/26/2019   Event Time: 9:00 PM

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Our House Productions along with Junxtion and Sly Grog are proud to present Broad City BoogieFeaturing T Mixwell (mixcloud.com/T_Mixwell/)Beat Thesis Chicago ILDJ and Producer, T. Mixwell offers dance floors unconventional concoctions of House, Techno, and Minimal; all stirred into one big melting pot of edgy banging fun.As a kid growing up on a significant diet of artists like Donna Summer, Temptations, Marvin Gaye, and Chi-lites, as well as Kwame, Earth Wind and Fire, Punk, New Wave, and Rock; T. Mixwell knocked out any preconceived notions of what type of music she would pursue when she followed her path towards her love of Classical Music. It wasn't until her early teens when she discovered her passion for House music while listening to her brother play a record by Lil Louis in his bedroom, and soon found herself going to parties/raves in the mid to late nineties. Pursuing her calling to move from dance floor to DJ booth, she became educated in the basics of holding a mix on a pair of belt-driven Gemini's and solidified her skills, quickly moving onto Technic 1200's and continuing forward without a glance back.Currently T. Mixwell has been promoting her new label "Beat Thesis", playing at events across the world, Thailand as of recently, and working hard on production projects in the studio. Releases currently out on Natural Rhythm Music, Ficus Tree, & Native Soul Recordings, and an upcoming release on Blackcherry Recordings to name a few. When in Chicago, check out her "SPORK!" residency, Nightcap residency and 'Shimmy' nights with DJ Heather, a pop up event at various Chicago venues. She also is a Smartbar favorite opening up for such acts as Mood II Swing, Detroit Swindle, and many more for almost the last 10 years. https://www.mixcloud.com/Panhandle_Music/t-mixwell-live-at-apt-entertainment-panhandle-musics-house-in-session-sxsw-2017/Local support from:Hypnocat (mixcloud.com/catina-singley)Greenville SCHypnocat started DJing in 1991 on vinyl, under the name DJ Cat until 1999, when she took the name Hypnocat. Her style is best described as TribalHouse and TechHouse, with high tempos and heavy bass.https://www.mixcloud.com/catina-singley/hypnocat-live-at-vine-nightclub-13119/Space CovenAsheville NCPeri Meters, Niels, and L. Anoxia make up Space Coven, a house/techno DJ trio from Asheville, NC. Their very different influences come together synergistically on the decks; from irresistible nu-disco grooves to soulful, jackin’ house and mesmerizing Detroit techno.

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271 Haywood Street , Asheville, NC 28801
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Event Date: 07/26/2019   Event Time: 9:00 PM

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One of the more versatile rappers who came out of the Dirty South school of hip-hop in the early 2000s, multi-gold and Grammy-nominated North Carolina native Petey Pablo has demonstrated the art of mixing poignancy with sharp, gut-wrenching lyrics that reach across age, race and social status. The gruff-voiced MC was born and raised in Greenville, NC, and is best known for rap anthems such as “Raise Up,” “Freek-A-Leek” and “Carolina Colors,” have become mainstays on urban radio and as sports stadiums across the country.

“Raise Up” peaked #1 on the US Billboard Rap Chart and #25 on the Billboard Top 100. “Freek-A-Leek” climbed to #2.  In addition to his solo career, Pablo has collaborated with artists such as Ciara “Goodies,” Timbaland “Red Bone,” Chris Brown on “Drop Rap,” Lil Wayne “Gangsta Shit,” Sticky Fingaz “Ghetto,” and many others. His collaboration rose to the top of the Billboard US Top 100, R&B and UK charts in 2004.  Pablo has demonstrated his versatility with roles in “Drumline,” “Just Another Day,” and most recently on Empire, a guest appearance that included writing the song star Terrence Howard performed “Snitch Bitch.”

His albums Diary of a Sinner: 1st Entry and Still Writing in My Diary: 2nd Entry, showcase a diverse effort that ranges from stereotypical Dirty South decadence to poignant, autobiographical tunes that reflect on the challenges and hardships he experienced growing up poor in the Deep South. In early 2003, Petey Pablo’s debut album received a Grammy nomination for Best Rap Album.

peteypablo.com

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 07/27/2019   Event Time: 9:00 PM

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Raw, soulful, and with plenty of swagger, Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances, whether in a packed club or at a sold-out festival. The hearty base of Town Mountain’s music is the first and second generation of bluegrass spiced with country, old school rock ‘n’ roll, and boogie-woogie. It’s what else goes into the mix that brings it all to life both on stage and on record and reflects the group’s wide-ranging influences –from the Grateful Dead’s Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon, and Merle. The Bend Bulletin’s Brian McElhiney says Town Mountain, “has serious country and rock ’n’ roll DNA.” Town Mountain features guitarist and vocalist Robert Greer, banjoist Jesse Langlais, mandolinist Phil Barker, fiddler Bobby Britt, and Zach Smith on bass.

Released October 26th, Town Mountain’s latest album New Freedom Blues (2018) is full of new material and features several guest artists including Tyler Childers who co-wrote one of the songs, Miles Miller (Sturgill Simpson, drummer), and other friends. Their prior album,Southern Crescent(April 1, 2016), debuted at #4 on the Billboard Bluegrass Chart while staying for ten weeks on the Americana Music Association’s radio chart Top 40, and widely considered one of the best bluegrass albums of that year.

townmountain.net

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 07/27/2019   Event Time: 9:00 PM

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701 Haywood Road , Asheville, NC 28806
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Event Date: 07/27/2019   Event Time: 10:00 PM

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Genre: Rock/Jam/AmericanaCover: $5 Suggested Donation @ DoorShow: 10PMAges: 21+The Kind ThievesHailing from the heart of Appalachia, The Kind Thieves are a musical tour de force that is far greater than simply the sum of its parts. With members originating from all over the Southern West Virginia region, the Thieves pull influences from musical genres spanning from classic rock to funk to bluegrass, wrapped up in a jam-band bow that promises a 100% original and mind-blowing live experience every time they perform.But jam-band isn’t even a box you can put the Thieves into, with heart-wrenching melodies, jaw-dropping harmonies, and songwriting capability far beyond their years, there is no way of knowing which direction they’ll go next, and no musical stone they’ll leave unturned. The Kind Thieves debut record ‘Many A Thief’ was released in 2017 and continues to win new fans with it’s unforgettable hooks and sweet storytelling sensibilities.web: http://www.thekindthieves.com/vid: https://youtu.be/YXYVk6b3f6k

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55 College Street , Asheville, NC 28801
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Event Date: 07/27/2019   Event Time: 10:00 PM

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55 College Street , Asheville, NC 28801
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Event Date: 07/27/2019   Event Time: 10:00 PM

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Genre: FUNKTickets: $15/$18Show: 10PM (Doors: 9PM)Ages: 21+ James Brown Dance Party ***STAY TUNED FOR OFFICIAL LINEUP ANNOUNCEMENT!*** The James Brown Dance Party properly formed in January of 2015 from the mind of The Chase Brothers, Adam and Matthew. Their debut performance as a rotating cast of All Star musicians was to a Sold Out audience at the Cutting Room in NYC featuring The Chase Brothers with Jennifer Hartswick, Jeff Sipe, Todd Stoops, Chuck Jones, Laura Reed, Rob Volo, Rob Somerville and Chris Bullock. Since then the band has gone on to focus on bringing together members of James Brown's Band with contemporary musicians that help draw a younger audience to the music of James Brown while giving musicians from up and coming funk ensembles the opportunity to learn the funk from the masters and creators of the genre. The band has been blessed to have worked with several James Brown alumni including Fred Wesley, Clyde Stubblefield, Fred Thomas, Mousey Thompson, Amy Christian, Keith Jenkins, Jeffrey Watkins, Erik Hargrove, and more!The James Brown Dance Party puts on rare and special performances as it is not a full time touring band, so if you see the band is performing any where near you don't miss the opportunity! Notable players have joined the band on stage including Adam Deitch of Lettuce, Binky Griptite of The Dap Kings, Michael Ray of Kool And The Gang, Antwaun Stanley of Vulfpeck, Rob Mecurio of Galactic, Pete Murano of Trombone Shorty, Chris Bullock of Snarky Puppy, Eddie Roberts of New Mastersounds, & many more!The James Brown Dance Party is a rotating All Star Tribute to James Brown featuring The Chase Brothers with members of The James Brown Band, Snarky Puppy, Trombone Shorty, Galactic, Trey Aanastasio Band, Bootsy Collins Band, Lettuce, Kool And The Gang, The Dap Kings, Vulfpeck, Tedeschi Trucks Band, Antibalas, John Legend Band, Talib Kweli Band, Sly And The Family Stone, New Mastersounds, The Main Squeeze, Aquarium Rescue Unit, ALO, Jamie Lidell, Tea Leaf Green, Parliament Funkadelic, Victor Wooten Band, Break Science, Pretty Lights Live Band, Kung Fu, Dopapod and more! web: http://www.jamesbrowndanceparty.comvid: https://www.facebook.com/jamesbrowndanceparty/videos/1003672973108443/

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31 Patton Avenue , Asheville, NC 28801
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Event Date: 07/28/2019   Event Time: 11:00 AM

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Wendi Loomis trio singing and swinging sweet gypsy jazz. Join us for a picnic lunch on the Village Green!

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1 Antler Hill Road , Asheville, NC 28803
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Event Date: 07/28/2019   Event Time: 2:00 PM

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A week in heaven with my fellow tribe of songwriters and performers from 7/28/19 - 8/3/19

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701 Warren Wilson Rd , Asheville, NC 28805
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Event Date: 07/28/2019   Event Time: 7:30 PM

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Ticket Price: $15 / $15 Asheville local Jesse Barry will sing the “Tapestry” album in its entirety, along with a full set of hit songs you may not know were also written by Carole King. With an all-star lineup of musicians including Peggy Ratusz, Brie Capone, Kelly Jones, Aaron Price, Zack Page, Micah Thomas, Dean Mitchell, & Kate Kinney Barber, this is bound to be another night to remember! Main Hall Seated-Limited Tables Available with a Dinner Reservation :: All Other Seating is First Come First Serve General Admission :: Please Call Venue for Dinner (Table) Reservations

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743 Haywood Road , Asheville, NC 28806
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Event Date: 07/28/2019   Event Time: 8:00 PM

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Supporting/backing vocals for Jesse Barry's Carole King tribute!

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743 Haywood Road , Asheville, NC 28806
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Event Date: 07/29/2019   Event Time: 8:30 PM

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Ray Ring and I co-host a weekly Jazz Jam at One World Brewing West, every Monday night from 8:30 - 12 PM. The first set is a featured artist with the house band, followed by a Jazz jam. Come on out and make some Jazz music with us!

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520 Haywood Road , Asheville, NC 28806
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Event Date: 07/30/2019   Event Time: 8:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 07/30/2019   Event Time: 9:00 PM

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Bit Brigade performs Contra + Metroid live at The Mothlight!

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701 Haywood Road , Asheville, NC 28806
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Event Date: 07/30/2019   Event Time: 11:30 PM

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Genre: Electro-SoulCover: Donations @ DoorShow: 11:30PMAges: 21+strongmagnumopusSMO for shorthalf of White Chocolate Dance Factorytunes: https://soundcloud.com/strongmagnumopus

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55 College Street , Asheville, NC 28801
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Event Date: 08/01/2019   Event Time: 6:00 PM

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468 riverside drive , Asheville, NC 28801
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Event Date: 08/01/2019   Event Time: 7:00 PM - 9:00 PM

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Friday, August 2 7pm John Cages Sonatas and Interludes for solo prepared piano Pianist/composer and Guggenheim Fellow Amy Williams performs Sonatas and Interludes, John Cages groundbreaking cycle for prepared piano. The work was composed in 194648, shortly after Cages introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composers later work. Sonatas and Interludes is generally recognized as one of Cages most important compositions. $10 for BMCM+AC members + students w/ID / $15 non-members

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120 College Street , Asheville, NC 28801
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Event Date: 08/02/2019   Event Time: 11:00 AM

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Wendi Loomis Trio singing and swinging sweet gypsy jazz! Join us for a picnic lunch on the Village Green.

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1 Antler Hill Road , Asheville, NC 28803
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Event Date: 08/02/2019   Event Time: 7:00 PM - 9:00 PM

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Friday, August 2 7pm John Cages Sonatas and Interludes for solo prepared piano Pianist/composer and Guggenheim Fellow Amy Williams performs Sonatas and Interludes, John Cages groundbreaking cycle for prepared piano. The work was composed in 194648, shortly after Cages introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composers later work. Sonatas and Interludes is generally recognized as one of Cages most important compositions. $10 for BMCM+AC members + students w/ID / $15 non-members

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120 College Street , Asheville, NC 28801
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Event Date: 08/02/2019   Event Time: 7:00 PM

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1 North Pack Square , Asheville, NC 28801
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Event Date: 08/02/2019   Event Time: 9:00 PM

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Sleepwalkers live at The Mothlight!

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701 Haywood Road , Asheville, NC 28806
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Event Date: 08/02/2019   Event Time: 10:00 PM

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First Fridays with Dirty Dead

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55 College Street , Asheville, NC 28801
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Event Date: 08/03/2019   Event Time: 4:00 PM

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A Very Jerry Birthday Bash Saturday 8/3/19 4pm-close $10 Adv / $10 DOS All Ages The Very Jerry Band Featuring Spiro Nicolopoulis, The Paper Crowns and Special Guests Phuncle Sam Dirty Dead The Bald Mountain Boys performing Old and In the Way Full Shakedown Vending Scene

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468 Riverside Drive , Asheville, NC 28801
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Event Date: 08/03/2019   Event Time: 7:30 PM

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1 Antler Hill Road , Asheville, NC 28803
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Event Date: 08/03/2019   Event Time: 8:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 08/03/2019   Event Time: 9:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 08/03/2019   Event Time: 9:00 PM

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Young Bull (Soul/Hip Hop) w/ Sk, the Novelist and Effigy Seed live at The Mothlight!

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701 Haywood Road , Asheville, NC 28806
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Event Date: 08/04/2019   Event Time: 7:00 PM

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Stephen Evans plays a solo acoustic show, 7-10pm at the Wicked Weed Pub.

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91 Biltmore Avenue , Asheville, NC 28801
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OAR

Event Date: 08/04/2019   Event Time: 7:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 08/04/2019   Event Time: 7:30 PM

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$15 / $15 5PM Door :: 7:30PM Show Vocalist and songwriter Dara Tucker's joins of the melodic, lyrical and soulful strains of the central plains with the risk-taking verve of contemporary music. General Admission Seated Main Stage Show :: Limited Tables Available with Dinner Reservation otherwise seating is first come first serve. Call 828-575-2737 for dinner reservations Join us for a great evening of entertainment, food, and spirits!

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743 Haywood Road , Asheville, NC 28806
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Event Date: 08/04/2019   Event Time: 8:00 PM

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743 Haywood Road , Asheville, NC 28806
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Event Date: 08/05/2019   Event Time: 5:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 08/06/2019   Event Time: All Day

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468 Riverside Drive , Asheville, NC 28801
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Event Date: 08/06/2019   Event Time: 7:30 PM

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1 Antler Hill Road , Asheville, NC 28803
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Event Date: 08/06/2019   Event Time: 7:30 PM

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, Asheville, NC
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Event Date: 08/07/2019   Event Time: 7:00 PM

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743 Haywood Road , Asheville, NC 28806
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Event Date: 08/07/2019   Event Time: 8:00 PM

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Last year, Max Frost had a creative awakening. Since becoming a professional musician and scoring genre-mashing hits including White Lies and Adderall, the forward-thinking pop maestro felt he hadnt shown his true colors. I realized I needed to completely change what I was doing and what I was trying to create into something a little bolder, a little bit more honest and less controlled, he says. I needed to take the veil off and let myself be a little more naked and a little more direct. Hed spent nearly his entire life in Austin, Texas, so moving to Los Angeles in 2017 was about having a fresh start -- reinventing myself as much as a person as an artist. Once he touched down in LA, he immediately got to work creating what turned out to be some of the most inventive songs of his young career.I finally had the balls to be vulnerable, says Frost, who once in LA teamed up with Michael Fitz Fitzpatrick (Fitz and The Tantrums) and began constructing the songs that would comprise Gold Rush, his major-label full-length debut LP, executive produced by Fitz, with major help from Mick Schultz (Rihanna, Jeremih). Reflecting on the personal and creative journey hes undergone in the past year, Frost says hes finally freed himself of self-imposed restrictions and become one-hundred percent honest with himself as both a human being and songwriter. I stopped trying to control how cool my music came across and just be myself, he says. I had to let it be open and direct and in-your-face.Now the 26-year-old singer, multi-instrumentalist and dynamic live performer, who in a few short years has seen his star rise in a major way thanks to tours with everyone from Twenty One Pilots, Panic! At The Disco, Fitz and The Tantrums, and Gary Clark Jr., being featured on a recent DJ Snake single and having four consecutive songs go to Number One on HypeMachine, says hes never been adamant about pushing the limits of what constitutes pop music. I definitely care way less now about trying to be niche, says the quick-witted singer behind the infectious, groove-anchored new single Good Morning. Ive realized that I want to make stuff that a lot more people can relate to and can be affected by. If youre just trying to make these weird songs and if youre consciously trying to be eclectic, he adds, I think thats as cheesy as consciously trying to be commercial.Frost admits there was a time he tried to talk himself out of making pop music. I used to purposely avoid putting hooks in a song, says the musician whose soul-infected sonic gems have soundtracked a global Beats by Dre campaign and been featured in television shows including Power and Brave, But honestly I almost feel like youre going against biology if youre trying to make music that doesnt have hooks. Because if you boil it down its like, whats a hook? Its something that hits your brain in this specific way.Creative freedom, and the ability to write and record music driven by feeling and instinct, has always been central to Frosts musical mindset. Playing the drums and guitar by age eight, and typically the youngest members of the diverse bands he was in as a teenager everything from bluegrass to blues and jazz to hip-hop Frost says it was the emotional connection to the music that forever drove his passion. It never really occurred to me that music was something I was into growing up, he admits, It was just something that was. So I try to stay committed to that original place of no ego. Of music just being this beautiful benevolent thing.By the time he was enrolled at the University of Texas-Austin, he was obsessively writing and recording R&B-and-hip-hop informed pop music in his dorm room. By then hed decided a career in music, no matter how uncertain, was his path forward. White Lies, though, changed everything: nearly one year after first uploading the falsetto-strewn song to SoundCloud, prominent blogs began to share it and a palpable buzz began to develop around it. Within weeks the song hit Number One on HypeMachines Most Popular Tracks on Blogs Now, and led to Frost signing his deal with Atlantic Records. That song broke doors down, Frost recalls, still seemingly amazed at how fast his life was altered by it. I went from playing a South By Southwest showcase where nobody was there to signing this huge record deal.But rather than revel in his newfound success, Frost doubled down on refining both his songwriting and live performance chops. He speaks passionately about continually tinkering with his already notoriously high-energy one-man live show, one that typically finds him bouncing around the stage, playing every single instrument himself, whipping his fans into a manic fervor. Ive tortured myself to invent it to where it is now, he says of his live show.Furthermore, in the studio Frost found a mentor in Fitz. Hes had a tremendous influence in my creative process and sometimes saves me from myself, Frost says of Fitz who he refers to as his songwriting fitness coach. The tireless effort is now reaping massive rewards: Frosts debut album is comprised of some of the singers most inventive songs yet, and ones that veer from electro-soul (Slow Jamz) to funk (Money Problems) and anthemic arena sing-alongs (Eleven Days). As he looks ahead and continually redefines his artistry via production work for breaking talent including Mike Waters, Wild Child, and UPSAHL, Frost says he finally feels hes being completely himself as an artist but is hardly afraid to continue reinventing his craft.Sometimes it feels like Im juggling fire, he adds with a laugh. But I think thats the only way to live.

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185 Clingman Avenue , Asheville, NC
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Event Date: 08/08/2019   Event Time: 9:00 PM

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701 Haywood Road , Asheville, NC 28806
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Event Date: 08/09/2019   Event Time: 10:00 AM

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Our second annual informal gathering of the NCMTA membership to share, brainstorm and discuss important issues of the membership.

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50 Campus Drive , Asheville, NC
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Event Date: 08/09/2019   Event Time: 7:30 PM

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1 Antler Hill Road , Asheville, NC 28803
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Event Date: 08/09/2019   Event Time: 8:00 PM

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Jeff Thompson solo show

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829 Riverside Drive , Asheville, NC 28801
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